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After Wednesday’s sold out screening of On Her Shoulders [read our recap here], Women in Film 2018: Collective Power continued with the anthology film Waru, featuring eight Maori women filmmakers’ perspectives on the …
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Women in Film 2018: Collective Power kicked off at Objectifs with a sold-out screening of On Her Shoulders, just days after the documentary’s subject Nadia Murad, a genocide survivor and human …
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Based on the concept of the constant self-recording mode, also known as COS•MO, this is the catalogue of the exhibition presented in 2013 at the Institute of Contemporary Arts that gathered 29 artists presenting their understanding of the concept, whether through images, sound, or interactive installation.

About Gilles Massot

Gilles Massot adopts a multidisciplinary process to establish links between narratives, occurrences and parts of the world. Based in Singapore since 1981, his book Bintan, Phoenix of the Malay Archipelago (2003) deeply influenced his artistic work, which now often deals with history and ethnology, while his conceptual concerns are in the theory of photography and the phenomenon of “recording” the revolutionary medium initiated.

His current pictorial project is centred on research about Jules Itier and the first photographs of Asia made in the 1840s, while his theoretical research explores the relations between the history of photography and that of quantum mechanics. A recipient of the French award Chevalier des Arts et des Lettres, his work has been presented in over 50 exhibitions in France and Asia.
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Presented by Objectifs Chapel & Lower Galleries, Objectifs 5 Oct to 18 Nov 2018

With the backdrop of collective movements like #MeToo and #TimesUp gaining momentum in the past …
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Women in Film 2018: Collective Power ran at Objectifs from 10 to 13 Oct 2018 with the Singapore premiere of four international feature films, each followed by post-screening discussions.

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Lower Gallery, Objectifs 5 to 28 Oct 2018 Tues to Sat, 12pm to 7pm / Sun 12pm to 4pm Films are screened on loop during opening hours Free admission

With …
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This print is from Passing Time, an exhibition presented by Objectifs that featured the work of Singaporean photographer Lui Hock Seng (b. 1937). Like many photographers of that period, Mr Lui’s subjects of interest ranged widely from streetscapes, to portraits, from architecture to industry. The images are exemplary of pictorial photography, the dominant photography art practice at the time, and provide insight into the beginnings of modern-day Singapore.
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This print is from Passing Time, an exhibition presented by Objectifs that featured the work of Singaporean photographer Lui Hock Seng (b. 1937). Like many photographers of that period, Mr Lui’s subjects of interest ranged widely from streetscapes, to portraits, from architecture to industry. The images are exemplary of pictorial photography, the dominant photography art practice at the time, and provide insight into the beginnings of modern-day Singapore.
Read More

This print is from Passing Time, an exhibition presented by Objectifs that featured the work of Singaporean photographer Lui Hock Seng (b. 1937). Like many photographers of that period, Mr Lui’s subjects of interest ranged widely from streetscapes, to portraits, from architecture to industry. The images are exemplary of pictorial photography, the dominant photography art practice at the time, and provide insight into the beginnings of modern-day Singapore.
Read More

This print is from Passing Time, an exhibition presented by Objectifs that featured the work of Singaporean photographer Lui Hock Seng (b. 1937). Like many photographers of that period, Mr Lui’s subjects of interest ranged widely from streetscapes, to portraits, from architecture to industry. The images are exemplary of pictorial photography, the dominant photography art practice at the time, and provide insight into the beginnings of modern-day Singapore.
Read More