Friday 15 Sep 2023, 7.30pm – 9pm Venue: Chapel Gallery, Objectifs Screening (74 min) followed by Q&A Rating: PG13 (Some Frightening Scenes) Standard: $10 / Objectifs Members and students: $8 …
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Sat 16 Sep 2023, 2.30pm – 5pm Curated by Phoebe Pua Venue: Chapel Gallery, Objectifs Rating: M18 (Some disturbing scenes and nudity) Standard: $10 / Objectifs Members: $8 (please note …
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Thu 14 Sep 2023, 7.30pm – 9pm Venue: Chapel Gallery, Objectifs Screening (62 min) followed by Q&A Rating: PG13 (Some Nudity) Standard: $10 / Objectifs Members and students: $8 (please …
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Presented by Objectifs Chapel Gallery, Objectifs 22 Sep to 5 Nov 2023 Tue to Sat, 12pm to 7pm / Sun, 12pm to 4pm Admission is free
The seventh edition …
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Presented by Objectifs Chapel Gallery, Objectifs 14 Sep to 5 Nov 2023
The seventh edition of Objectifs’ Women in Film and Photography explores the theme, Bodies, through the works …
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24 Slides examines personal archives and found photographs and overlays them with childhood memories of a time of war. Growing up for a brief time in Iraq has left a deep impression on my sister and I, and we often think of the place and the people, the futility of war and its impact on people’s lives. Through this work, I look back into history through a tourism booklet from the 1970’s and attempt to read the images and text as evidence and offer counter perspectives through my own experiences.
About Aparna Nori
Aparna Nori is a lens based artist living between Singapore and Bangalore. Her work is rooted in the personal memory, identity and experiences, her explorations taking form and shape through photographic interventions and narratives. With a Master degree is filmmaking, she practices diverse forms of expression with digital and analog image making, alternative photographic processes, moving images and bookmaking.
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We are putting the sin back in Singapore. Revisit our past through misbehaviour and mischief, with stories about lost wine, a crow culling campaign, biker gangs, and more.
In this issue:
About Meantime Magazine
Meantime is an independent magazine documenting Singapore stories lost to time. Published annually, each issue uncovers our past through personal stories.
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The publication, interplays themes of permanence and ambiguity, through a layered use of material, text and hand-drawn sketches — invading page perimeters, a white fog encapsulates, peels through the landscape, unraveling a truth within the scene of divergence.
About Kathy Anne Lim
Kathy Anne Lim is a photographer & visual artist based in Singapore. Her poetic documentary work focuses on themes of memory and displacement—contents of which mix absolute certainty and misty ephemerality. She studied Visual Communication (Dip) at Temasek Polytechnic Singapore and Photography (BA Hons) at London College of Communication, University of Arts London. Her work has been exhibited internationally as part of numerous group exhibitions at Open Eye Gallery, Liverpool (2019), Bow Arts, London (2019), Royal Photographic Society—Women In Photography, UK (2019), Singapore International Photography Festival (2020), Sharjah Art Foundation (2021), Photoville, Brooklyn NYC (2022), Kranj Foto Festival (2022) and as a solo exhibition at Kathmandu Photo Gallery, Bangkok (2023). Previously she has worked as a photography editor & researcher at Forward, Bookmark Content (WPP) & The Guardian; she also works as an educator at Lasalle College of the Arts, Singapore.
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HOT POT TALK: Cooking up Recipes (2023) is part of the HOT POT TALK series, a long term exploration of ‘recipes’ for artmaking and conversations that invites people to imagine and work towards the world(s) we want to live in.
HOT POT TALK (2017 – Ongoing) is created by Chong Gua Khee, a Singapore-based performance-maker, director, dramaturg, and facilitator who loves creating intimate, playful and porous spaces for bodily encounters and connections to happen.
10 Aug to 27 Aug 2023 Courtyard and Lower Gallery, Objectifs Free admission Held as part of the Singapore Night Festival
Waterloo Street Stories is a collaborative project by the …
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