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Search Results for: momo film co

Before it All Goes by Darren Soh – Pearl Bank Apartments, 2017

By  •  November 13, 2018

Pearl Bank Apartments, 2017 was featured at Darren Soh’s solo exhibition, which was held at Objectifs from August – September 2018. This exhibition presented images of eight iconic sites from Singapore’s early independence years that are now getting demolished and redeveloped. The eight sites are: Pearl Bank Apartments, People’s Park Complex, Golden Mile Complex, Golden Mile Tower, Bedok and Buona Vista Swimming Complexes, Queenstown Cinema, Tanglin Halt Estate and Rochor Centre.

About Darren Soh

Darren Soh’s photographic practice explores architecture, urban landscape and space. An established photographer who is most recognised for his documentation of vernacular architecture, Darren has been placed in several international photography awards over the years, including the Commonwealth Photographic Awards, the Prix de la Photographie, Paris, the International Photography Awards, PDN and ICON de Martell Cordon Bleu. His works have been shown widely, including solo exhibitions at The Esplanade and Objectifs (Singapore Art Week 2015), and internationally at photography festivals like Noorderlicht (The Netherlands) and Obscura (Penang). He has published several monographs including While You Were Sleeping (2004), For My Son (2015) and In the Still of the Night (2016).

Darren was one of the co-founders of Platform.sg, an initiative to showcase photography of Singapore or by Singaporean photographers. As champions of local photography, Platform.sg has gone on to support and publish 22 Singapore photography books and most recently, an exhibition of 34 Singaporean photographers in Istanbul (Apr-May 2018). He continues to advocate for photography as an art form, and contributes actively to the community through frequent public talks and ground up projects that focus on documenting Singapore.

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Before it All Goes by Darren Soh – Chinatown at Dusk

By  •  November 13, 2018

Chinatown at Dusk was featured at Darren Soh’s solo exhibition, which was held at Objectifs from August – September 2018. This exhibition presented images of eight iconic sites from Singapore’s early independence years that are now getting demolished and redeveloped. The eight sites are: Pearl Bank Apartments, People’s Park Complex, Golden Mile Complex, Golden Mile Tower, Bedok and Buona Vista Swimming Complexes, Queenstown Cinema, Tanglin Halt Estate and Rochor Centre.

Two options are available for these set of prints. You may choose to only purchase the print, or to purchase a print and book bundle where you will receive a copy of Before It All Goes – Architecture from Singapore’s Early Independence Years in addition to your print.

About Darren Soh

Darren Soh’s photographic practice explores architecture, urban landscape and space. An established photographer who is most recognised for his documentation of vernacular architecture, Darren has been placed in several international photography awards over the years, including the Commonwealth Photographic Awards, the Prix de la Photographie, Paris, the International Photography Awards, PDN and ICON de Martell Cordon Bleu. His works have been shown widely, including solo exhibitions at The Esplanade and Objectifs (Singapore Art Week 2015), and internationally at photography festivals like Noorderlicht (The Netherlands) and Obscura (Penang). He has published several monographs including While You Were Sleeping (2004), For My Son (2015) and In the Still of the Night (2016).

Darren was one of the co-founders of Platform.sg, an initiative to showcase photography of Singapore or by Singaporean photographers. As champions of local photography, Platform.sg has gone on to support and publish 22 Singapore photography books and most recently, an exhibition of 34 Singaporean photographers in Istanbul (Apr-May 2018). He continues to advocate for photography as an art form, and contributes actively to the community through frequent public talks and ground up projects that focus on documenting Singapore.

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Before it All Goes by Darren Soh – 100 HDB Facades

By  •  November 13, 2018

100 HDB Facades was featured at Darren Soh’s solo exhibition, which was held at Objectifs from August – September 2018. This exhibition presented images of eight iconic sites from Singapore’s early independence years that are now getting demolished and redeveloped. The eight sites are: Pearl Bank Apartments, People’s Park Complex, Golden Mile Complex, Golden Mile Tower, Bedok and Buona Vista Swimming Complexes, Queenstown Cinema, Tanglin Halt Estate and Rochor Centre.

About Darren Soh

Darren Soh’s photographic practice explores architecture, urban landscape and space. An established photographer who is most recognised for his documentation of vernacular architecture, Darren has been placed in several international photography awards over the years, including the Commonwealth Photographic Awards, the Prix de la Photographie, Paris, the International Photography Awards, PDN and ICON de Martell Cordon Bleu. His works have been shown widely, including solo exhibitions at The Esplanade and Objectifs (Singapore Art Week 2015), and internationally at photography festivals like Noorderlicht (The Netherlands) and Obscura (Penang). He has published several monographs including While You Were Sleeping (2004), For My Son (2015) and In the Still of the Night (2016).

Darren was one of the co-founders of Platform.sg, an initiative to showcase photography of Singapore or by Singaporean photographers. As champions of local photography, Platform.sg has gone on to support and publish 22 Singapore photography books and most recently, an exhibition of 34 Singaporean photographers in Istanbul (Apr-May 2018). He continues to advocate for photography as an art form, and contributes actively to the community through frequent public talks and ground up projects that focus on documenting Singapore.

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Before it All Goes by Darren Soh – 26 Jalan Klinik

By  •  November 12, 2018

26 Jalan Klinik is featured in Before It All Goes – Architecture from Singapore’s Early Independence Years – a book that was launched at Darren Soh’s solo exhibition, which was held at Objectifs from August – September 2018. This exhibition presented images of eight iconic sites from Singapore’s early independence years that are now getting demolished and redeveloped. The eight sites are: Pearl Bank Apartments, People’s Park Complex, Golden Mile Complex, Golden Mile Tower, Bedok and Buona Vista Swimming Complexes, Queenstown Cinema, Tanglin Halt Estate and Rochor Centre.

About Darren Soh

Darren Soh’s photographic practice explores architecture, urban landscape and space. An established photographer who is most recognised for his documentation of vernacular architecture, Darren has been placed in several international photography awards over the years, including the Commonwealth Photographic Awards, the Prix de la Photographie, Paris, the International Photography Awards, PDN and ICON de Martell Cordon Bleu. His works have been shown widely, including solo exhibitions at The Esplanade and Objectifs (Singapore Art Week 2015), and internationally at photography festivals like Noorderlicht (The Netherlands) and Obscura (Penang). He has published several monographs including While You Were Sleeping (2004), For My Son (2015) and In the Still of the Night (2016).

Darren was one of the co-founders of Platform.sg, an initiative to showcase photography of Singapore or by Singaporean photographers. As champions of local photography, Platform.sg has gone on to support and publish 22 Singapore photography books and most recently, an exhibition of 34 Singaporean photographers in Istanbul (Apr-May 2018). He continues to advocate for photography as an art form, and contributes actively to the community through frequent public talks and ground up projects that focus on documenting Singapore.

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Before it All Goes by Darren Soh – 19 Jalan Sultan

By  •  November 12, 2018

19 Jalan Sultan is featured in Before It All Goes – Architecture from Singapore’s Early Independence Years – a book that was launched at Darren Soh’s solo exhibition, which was held at Objectifs from August – September 2018. This exhibition presented images of eight iconic sites from Singapore’s early independence years that are now getting demolished and redeveloped. The eight sites are: Pearl Bank Apartments, People’s Park Complex, Golden Mile Complex, Golden Mile Tower, Bedok and Buona Vista Swimming Complexes, Queenstown Cinema, Tanglin Halt Estate and Rochor Centre.

About Darren Soh

Darren Soh’s photographic practice explores architecture, urban landscape and space. An established photographer who is most recognised for his documentation of vernacular architecture, Darren has been placed in several international photography awards over the years, including the Commonwealth Photographic Awards, the Prix de la Photographie, Paris, the International Photography Awards, PDN and ICON de Martell Cordon Bleu. His works have been shown widely, including solo exhibitions at The Esplanade and Objectifs (Singapore Art Week 2015), and internationally at photography festivals like Noorderlicht (The Netherlands) and Obscura (Penang). He has published several monographs including While You Were Sleeping (2004), For My Son (2015) and In the Still of the Night (2016).

Darren was one of the co-founders of Platform.sg, an initiative to showcase photography of Singapore or by Singaporean photographers. As champions of local photography, Platform.sg has gone on to support and publish 22 Singapore photography books and most recently, an exhibition of 34 Singaporean photographers in Istanbul (Apr-May 2018). He continues to advocate for photography as an art form, and contributes actively to the community through frequent public talks and ground up projects that focus on documenting Singapore.

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NANG Magazine Issue 5 – Inspiration

By  •  November 7, 2018

Issue 5 is dedicated to Inspiration. Starting from candid interviews with twelve filmmakers spanning different generations and backgrounds, this Issue collects some of the key cinematic sources of their creative inspirations before delving into them via accompanying critical essays, conversations, and special features. The intention is both to shed light on the under-explored nexus between cinematic practice and experience, between watching, making, and being inspired by films, and to open up the conversation onto figures and works across industries and eras. As present, as it is invisible, inspiration can emerge from anywhere, often out of the blue, at any stage of the creative process. Ultimately, this Issue invites us to celebrate all sources of inspiration, and all resulting works, as a testament to the myriad of human interactions and artistic endeavours that make up the cinema.

About the guest editors:
Goran Topalovic is a US-based film curator, writer, and collage artist. He’s the co-founder of Subway Cinema and the New York Asian Film Festival.

Eric Choi is a Film archivist at the Korean Film Archive and filmmaker. Currently working on finding lost Korean films scattered around the world as well as creating video essays on Korean genre cinema.

About NANG Magazine:
NANG is an English-language 10-issue magazine which covers cinema and cinema cultures in the Asian world with passion and insight. Published twice a year over a period of five years, NANG’s ambition is to build a wonderfully rich and profound collection of words and images on cinema, for knowledge, inspiration, and enjoyment.

Beautifully-printed on fine papers, NANG broadens the horizons of what the moving image is in Asia, engaging its readers with a wide array of stories, contexts, subjects and works connected by the cinema.

Each and every issue of NANG is structured around a specific theme and created in collaboration with a unique group of guest editors and contributors based both within and outside Asia.
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WOMEN IN PHOTOGRAPHY 2018: ARTIST TALKS

By  •  October 30, 2018

Objectifs’ fourth Women in Photography exhibition opened on 4 Oct 2018 with the theme Collective Power, building on the #MeToo and #TimesUp collective movements which gained momentum globally in the …
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PHOTOGRAPHY IN SOUTHEAST ASIA – A SURVEY by Zhuang Wubin

By  •  October 29, 2018

Photography in Southeast Asia: A Survey is a comprehensive attempt to map the emergence and trajectories of photographic practices in Southeast Asia. The narrative begins in the colonial era, at the point when the transfer of photographic technology occurred between visiting practitioners and local photographers. With individual chapters dedicated to the countries of Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Singapore, Thailand, the Philippines and Vietnam, the bulk of the book spans the post-WWII era to the contemporary, focusing on practitioners who operate with agency and autonomy. The relationship between art and photography, which has been defined very narrowly over the decades, is re-examined in the process. Photography also offers an entry point into the cultural and social practices of the region, and a prism into the personal desires and creative decisions of its practitioners.

About Zhuang Wubin:
Zhuang Wubin is a writer, curator and artist. As a writer, Zhuang focuses on the photographic practices in Southeast Asia. A 2010 recipient of the research grant from Prince Claus Fund (Amsterdam), Zhuang is an editorial board member of Trans-Asia Photography Review, a journal published by the Hampshire College and the University of Michigan Scholarly Publication Office.
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THIS IS SINGAPORE Bundle book a and b

By  •  October 29, 2018

A two-volume publication featuring 50 photography projects depicting images of Singapore from the perspective of each photographer. The images range from everyday experiences such as the first day of school or the commute to work, to rarely seen specialist views of maritime shipping lanes or subterranean train tunnels, to abstract, interpretive or imaginative responses to Singapore’s changing landscape.

The majority of these projects were selected for publication from a series of public pitches organised by PLATFORM from June 2014 to November 2015. The invited jurors comprised photographers, artists, curators, designers and writers. Apart from the pitches, a few photographers were invited by PLATFORM. Each book features an introduction by photographers Tay Kay Chin and Darren Soh, as well as an essay by writer Yu-Mei Balasingamchow.
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NANG Magazine Issue 4 – In and Out

By  •  October 18, 2018

Issue 4 of NANG Magazine is dedicated to In & Out. Featuring artists and filmmakers who voluntarily or involuntarily moved outside of their country of origin, this Issue focuses on hyphenated identities and films that exist in the in-between. Inspired by Hamid Naficy’s “accented cinema,” the texts offer a glimpse into what an intercultural genre and films in-transit might look like and whether the de-territorialization of the filmmaker produces certain traits and characteristics that these films share. Ranging from image-led dialogues to in-depth essays, this Issue hopes to serve as a counter to the narrative of hostile simplification that has embroiled the topic of migration in recent years by celebrating the diversity of voices and experiences that the hyphen brings.

About the guest editors:
Julian Ross is a film programmer, researcher and writer. Programmer at International Film Festival Rotterdam and Leverhulme research fellow at University of Westminster.

Maryam Tafakory is an artist-filmmaker and researcher, writing on experimental film-feminism. Selected filmography: Taklif (2014), Poem and Stone (2015) and Absent Wound (2017).

About NANG Magazine:
NANG is an English-language 10-issue magazine which covers cinema and cinema cultures in the Asian world with passion and insight. Published twice a year over a period of five years, NANG’s ambition is to build a wonderfully rich and profound collection of words and images on cinema, for knowledge, inspiration, and enjoyment.

Beautifully-printed on fine papers, NANG broadens the horizons of what the moving image is in Asia, engaging its readers with a wide array of stories, contexts, subjects and works connected by the cinema.

Each and every issue of NANG is structured around a specific theme and created in collaboration with a unique group of guest editors and contributors based both within and outside Asia.
Read More