immaterial bodies curated by Seet Yun Teng
Curator Open Call is part of Objectifs’ ongoing efforts to to broaden perspectives by supporting curatorial research and innovative ways of presenting image-based work. The programme supports the realisation of a curatorial proposal for an exhibition in the Chapel Gallery by providing professional and financial support. The exhibition will be presented later this year. Please sign up to our mailing list or follow our social media for further updates.
The awardee was selected by the following selection panel, in addition to the team at Objectifs:
- Siddharta Perez, Curator, NUS Museum
- Jason Wee, Founder and Director of Grey Projects
Curated by Seet Yun Teng
immaterial bodies extends a thread of inquiry situated between the material world of things and the immaterial world of affects. Weaving together the works of artists Weixin Quek Chong, ila, Wayne Lim and Denise Yap, the exhibition explores how bodies are affected at the interface with the non-human, the immaterial, and the invisible. It simultaneously speculates on how images and objects can unravel intensities beyond language and representation, and questions how disciplinary structures can take hold of bodies via affective registers. It probes: the memory of the body in relation to shifting lands; the mobilisation of the controlled body; modifications and morphings of the body; fluid bodies, marginal selfhoods and alternative possibilities of being. It questions: how can affect be a way to resist controls and trace the emotional contours of life during increasingly precarious times?
About the curator
Curator, artist and writer Seet Yun Teng works in various capacities, always with a keen interest in artistic research and critical discourse. Her recent research interests revolve around object agencies, embodied perception and affective encounters. Recent projects include warp and weft / as long as it is wide at Jalan Besar Salon, and objects in the mirror at Supernormal, both in Singapore (2019).
About the artists
The diverse practice of Weixin Quek Chong (b.1988, Singapore) engages with tactility and visuality as a language of the senses, in order to address the aesthetics and dialectics of material as an alternative confrontation. She has exhibited extensively internationally and locally, at venues including National Museum of Modern & Contemporary Art, Seoul, Korea; Tainan Art Museum, Taiwan; Institute of Contemporary Arts, Singapore (all 2019) amongst others.
The intimate works of visual and performance artist ila (b.1985, Singapore) weave imagined narratives into existing realities and use her body as a space of tension, negotiation and confrontation in order to generate discussion about gender, history and identity in relation to pressing contemporary issues. Her work has been shown at The Substation, NTU Centre for Contemporary Art, National Design Centre, all Singapore (2019), Coda Culture, and ArtScience Museum, both Singapore (2018).
Situated at the intersection of research and theory, the praxis of Wayne Lim (b.1989, Singapore) seeks to transgress defined notions of conventional aesthetic, curatorial and research practice — through self-publishing, self-organization, and developing (long-term) collective projects. Recent projects include A Weekend Affair (2019-ongoing), and his work has shown at Chinretsukan Gallery, Tokyo University of the Arts, Japan; The Substation, Singapore (both 2020, upcoming); Coda Culture, Singapore (2020) among others.
Art practitioner Denise Yap (b. 1998, Singapore) draws from different sources of information to build a world that explores the potentiality of sincere investments such as alternative kinships and entanglements (and all the embarrassments) of the human condition. Recent exhibitions include The Open Workshop, Supernormal, Singapore (2020), Eaten: A Capsule Museum for Future Possible Past Beings, Gillman Barracks; Repel Revel, Grey Projects; all Singapore (2019).