Search Results for: momo film co

Construction workers on a clear day, c. 1960s. 艳阳下的建筑工.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

A worker tears down walls of the prison complex in Outram, 1963. 旧欧南园监獄的拆毁工作.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

Labourers construct a roof, c. 1960s. 高铁架上的油漆工作.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

A worker is photographed through the end of a concrete pipe at a construction site, c. 1960s. 施工前的地下水泥管道.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

A garbage collector at the back alley of Chinatown, c. 1960s. 牛车水后巷的垃圾清理工.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

Early morning in a coconut forest, 1963. 樟宜晨光下的儿童.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

Boats on the coast of Changi, c. 1960s. 樟宜海边一景.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

Workers collect seashells to be burnt to make cement in Mata Ikan, c. 1960s. 漳宜海边捞贝壳的作业.

This print is from Time and Tide, an exhibition presented by Objectifs that featured the work of Singaporean photographer Foo Tee Jun (b. 1935). One of the nation’s foremost image makers, Foo Tee Jun’s works have shaped the visual lexicon of modern photography in Singapore. This exhibition features his images from the 1960s and 1970s, a time when a newly independent Singapore was just coming into its own.

In Time and Tide, scenes of kampong life and traditional crafts sit alongside vistas of busy shipyards and skyscrapers. They speak of a rapidly industrialising country in the process of shedding the old for the new, when its people were mobilised towards the pursuit of modernity.

Throughout his professional and personal life, Foo has pursued his love for photography with a singular passion, honing a masterful eye that has captured the everyday with a sensitive and elegant vision. As documents, his images serve as reminders of a Singapore that has endured immense generational change; in their artistry, they form an essential part of the country’s cultural legacy.
Read More

The Objectifs Short Film Incubator is an initiative presented by Objectifs that focuses on developing short film scripts. The programme is open to Southeast Asian filmmakers working with moving images, …
Read More

Cambodian photographer, Choulay Mech, recipient of the Objectifs Documentary Award 2023 (Open Category), presented her first solo exhibition, An Elephant’s Eye, at Objectifs from 18 May to 16 June 2024. …
Read More