Search Results for: momo film co

Refuse is a handbook that unveils the complex issue of furniture waste in Singapore, through thoughtful resources catered to the different needs of the dumpster diving and crafting community. Refuse aspires to be the 4th R of recycling – where the 4th R means “Refuse to buy, to throw and to do nothing”.

It is a care package jam packed with different ideas. Every image, word, clip-on and instruction in the book is derived from insights gathered while interviewing the dumpster diving and crafting community.
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Please note: The competition’s deadline has been extended to 18 JUL 2025, 5PM.

The Objectifs’ Student Visual Storytelling Awards is back for a second year! Students and media clubs from …
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Guftgu looks to initiate conversations within practice and context. Emerging out of dialogues with practitioners when our world seemed restrained physically, the works incorporated in this curation expand on the processes behind a growing visual language within South Asia and the South Asian diaspora.

Constructed as a curated collection by Offset Projects, each of the zines included in this edition have been put together keeping in consideration the intent and motivations behind the subject of the work.

About Offset Projects

In 2018, artist Anshika Varma founded Offset Projects in New Delhi, India.

Offset Projects works to create channels of engagement in photography and book-making through artist talks, workshops, residencies, curated reading rooms and collaborative exercises in publishing. We believe that story telling lies at the heart of human creative energy. Our mission is to make a space for collective engagement, meaningful critique and reflective inquiry.

The Offset Bookshop was launched in 2020 in the midst of a global pandemic. It offers a diverse collection of photobooks from the South Asian region (India, Bangladesh, Nepal, Burma, Pakistan and Sri Lanka) from young practitioners to experienced artists, bookmakers and authors.
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In negotiating the complexities of his identity and its relationship to land, migration and gender, artist Soyeohang Rai travels to Nepal, the land of his ancestors, and is confronted by the rigidities of masculinity he is expected to conform to. This defining moment unravels an unanticipated journey to claim his own relationship with the mountainous terrain of the land, gaining strength from the ritualistic performance of maruni ( a dance form practiced by tribes of the Himalayan Belt and Nepali diaspora), opening himself to the feminine within through emotional and physical transformations and empowering the moment in the act of adornment. The maruni emerges and settles within Rai, demanding attention like the red hibiscus of his village and home. The deep colours of the flower remain the most desirable part of the plant, leaving the lush foliage of its bush often forgotten. As is the relationship of the arrival and departure of this flower, so shall the maruni continue to live within him and depart. Only to return again and offer in its warmth inheritance, autonomy and resilience to his being.

“After being impolitely denied to my ancestral land, I felt there was no longer a need to be granted access to a gift that was never taken from me.”

Sisnu Pani is a term often used by Nepalese people to connote to punishing the most miscreant with the stinging nettle (sisnu), an undesirable plant, whipped all over their naked body.

Some images involve nudity.

About Offset Projects

In 2018, artist Anshika Varma founded Offset Projects in New Delhi, India.

Offset Projects works to create channels of engagement in photography and book-making through artist talks, workshops, residencies, curated reading rooms and collaborative exercises in publishing. We believe that story telling lies at the heart of human creative energy. Our mission is to make a space for collective engagement, meaningful critique and reflective inquiry.

The Offset Bookshop was launched in 2020 in the midst of a global pandemic. It offers a diverse collection of photobooks from the South Asian region (India, Bangladesh, Nepal, Burma, Pakistan and Sri Lanka) from young practitioners to experienced artists, bookmakers and authors.
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In the third issue of Process Magazine entitled “Perspective as Practice”, we explore how borrowing ideas from fields other than our own adds to the creative process. We speak to musician Azfar Bakar, garment designer Cyii Cheng, graphic designer Alisya Fairuz, musician Shelhiel and artist Hoo Fan Chon to understand how adopting ideas from different disciplines influences their practice.

Other contributors include: Shuuhuahua, Gan Siong King, Julia Merican, Karl Nadzarin, Ng Su Ann and Clarissa Lim Kye Lee.

About Process Magazine

Process Magazine is an independent print magazine that explores the creative process of people from the fields of art, architecture, music, business, politics and more.

We feel that it’s important to archive and document the body of work made by creatives around the region. As of 2023, we are now two issues in and we continue to publish stories of distinguished individuals in the creative scene.

Process Magazine is based in sunny Kuala Lumpur, Malaysia.
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An enthusiastic group of 12-year-olds look deeper into their home, Lengkok Bahru, through design thinking and game design, led by a fun group of facilitators who’ve grown up with them over the years.

This box set of four games which pack fun, personality and aspiration, is the result of their year-long effort to share a perspective inspired by the people and places they grew up with.

The First Class box-set includes House of Cats, a fast-paced memory-matching game to find missing cats; Swank Tank, a cooperative game to assemble fish tanks without scum; Market Blitz, a competitive card game to build a dream business empire and Unleashed, a party game of persuasion and sabotage with neighbourhood dogs.

About Superhero Me

Birthed in 2014 as an early childhood programme for preschoolers from a low-income neighbourhood, Superhero Me found its niche in inclusive arts programmes for children.
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Nobody seems to understand 6-year-old Darryl, until one day, a mysterious new friend – Blob – visits from space and they form an instant connection. How will this chance encounter change Darryl’s way of expressing himself as he travels with Blob through the Universe of Feelings?

About Quek Hong Shin

Quek Hong Shin is an award-winning author and illustrator whose work includes The Incredible Basket (Best Children’s Picture Book at the Singapore Book Awards 2019), The One and Only Inuka and The Amazing Sarong, his first book which was shortlisted for the Hedwig Anuar Children’s Book Award in 2018. Hong Shin joined Superhero Me in 2016 as a facilitator, or captain, where he honed his skills in fostering social interaction between children of different abilities and co-creating art with them. Hong Shin was one of six lead artists involved in PEEKABOO!, a six-month inclusive arts residency at Rainbow Centre which culminated in a festival in March 2019. His visual arts installation – Universe of Feelings – co-created with two classes of students with autism, sparked the development of this book.

About Superhero Me
Birthed in 2014 as an early childhood programme for preschoolers from a low-income neighbourhood, Superhero Me found its niche in inclusive arts programmes for children.

 
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A seven-year-old boy has an impossible dream of bringing extinct animals back to life. He sets out on a journey of discovery through art to build his understanding of biodiversity. Knowledge is power, some say. What will he do with what he knows?

About Superhero Me
Birthed in 2014 as an early childhood programme for preschoolers from a low-income neighbourhood, Superhero Me found its niche in inclusive arts programmes for children.
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An exhibition by Zen Teh and SueKi Yee

14 Jan to 2 Mar 2025 Objectifs Lower Galleries Opening: Tue 14 Jan 2025, 6pm – 9pm The opening reception …
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Sat 21 Dec 2024, 1pm – 5pm Lower Galleries, Objectifs Free admission No registration required, walk-ins only

Photographers: Adam Russell Bin Mohamed Raziff, Justin Tan, Kiong Wei Zhong, Natalie Sin …
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