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Discover the ethereal beauty of artist Sookoon Ang’s sculptures in the form of a beautiful poster that captures the poetic interplay of materiality and impermanence. Featuring striking images of her works, this print transform sculptural presence into a two-dimensional realm, preserving their quiet, dreamlike resonance. The poster invites contemplation of form, texture, and the liminality between physical and metaphysical space.

Perfect for collectors and admirers of Ang’s practice, these items offer a way to bring her evocative, thought-provoking aesthetic into your own space. More info about her work – https://www.sookoonang.com/

When you purchase a poster or sticker set, the proceeds will all go towards Objectifs’ developmental programmes! We wish to thank Sookoon for very generously offering all proceeds from the sale of these works to Objectifs.

Sculptures featured include:

• New Relics I, II
• MOONLIGHT
• YOUR LOVE IS LIKE A CHUNK OF GOLD
• SPECTRE
• WALK

About Sookoon Ang

Sookoon Ang is an artist living and working in Singapore and Paris. Underpinning her work is existential anxiety and the desire to represent the condition of flux and momentariness. Centring around intangibles and their co-existence with the rational world, Ang creates from a fundamental belief that there is no singular, objective reality and responses to the transient and imperfect nature of things, emotions and ideas.

Her work has been exhibited internationally in Palais de Tokyo, Beijing Biennale, Art Basel Hong Kong, International Film Festival Rotterdam, International Short Film Festival, Oberhausen, and Fribourg International Film Festival. The artist has also been awarded several international fellowships including the Freeman Fellowship and Asia-Pacific fellowship. The residencies Sookoon Ang has participated are the Rijksakademie, MASS MoCA and ISCP to name a few.
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White Lover is a photobook exploring the feeling of being in love. When you can hold a whole forest in your tiny hands, when all you see around you is nothing but snow and each other. Taken across a few winters, White Lover aims to deliver a whisper of sweet nothings that only you can hear.
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Duration 6 sessions

Proficiency Level Beginner – Intermediate

Course Description

Stories are not invented but rather, discovered. This hands-on creative writing workshop is designed to help aspiring and …
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This zine is like a lyric booklet of sorts, but without any words. And the artist is not a person, but nature itself. Opening up to A3, the zine is folded in a way that lets you read it continuously, without end. Inside, you’ll find photographs of flowers I’ve come across on my walks around Singapore – each quietly existing, yet too striking to pass by without capturing as a memory for the road. Accompanying these photos are musical compositions composed, recorded, and notated by Eugene Soh (@_pandamachine).

Just as we often give our voices to things, both living and non-living, have you ever stopped to wonder what a flower’s voice would sound like? It soon became clear that whatever it may be, it would transcend words. This zine lends a voice to these flowers – listen to how this project imagines each of them might speak by scanning the QR code at the bottom, and/or reading the notations at the top. And while you’re at it, don’t forget to have fun navigating the zine and collapsing them however you like. Enjoy!

About Mingli

Mingli (Ming) is a multifaceted creative involved in many fields including writing, photography, and design. At her day job, she writes about Art and Culture under the global publication Time Out. Outside of that, her main passion is very much centered around books and the printed matter. Some of the books she has designed and worked on, both under the design house WORK and independently, are currently housed in the collections of National Gallery Singapore (Singapore), DAIKANYAMA T-SITE (Tokyo), Thing Books (Singapore), The Book Show (Singapore), Printed Matter (New York), Mulu Office, ss space space (Taipei), and TACO! (London).

Her works and explorations in the form of images, zines, books and whatnot, revolve around the documentations of people, memory, nature, objects, thoughts, and the heart of life at large.
Ming also runs Serious Books – a personal platform spotlighting art books that she has collected from around the world and their makers. Additionally, she co-runs Part Time Book Club, a community-driven program that aims to bring book lovers together to connect and share about books.
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When holding on to a memory dearly, we face the inevitable nature of the human brain, where lapses eventually happen. However, I don’t see them as a bad thing. Instead, I view them as invitations – empty spaces waiting to be filled with more colourful memories. For me, it’s the memory of when I moved to Tokyo, Japan, just for a short period of time. That chapter in my life is etched deeply into my soul, and as the details blur, I’m ready to fill these gaps – represented here as slices of colour within a cherished image of my memory – with new ones.

About Mingli

Mingli (Ming) is a multifaceted creative involved in many fields including writing, photography, and design. At her day job, she writes about Art and Culture under the global publication Time Out. Outside of that, her main passion is very much centered around books and the printed matter. Some of the books she has designed and worked on, both under the design house WORK and independently, are currently housed in the collections of National Gallery Singapore (Singapore), DAIKANYAMA T-SITE (Tokyo), Thing Books (Singapore), The Book Show (Singapore), Printed Matter (New York), Mulu Office, ss space space (Taipei), and TACO! (London).

Her works and explorations in the form of images, zines, books and whatnot, revolve around the documentations of people, memory, nature, objects, thoughts, and the heart of life at large.
Ming also runs Serious Books – a personal platform spotlighting art books that she has collected from around the world and their makers. Additionally, she co-runs Part Time Book Club, a community-driven program that aims to bring book lovers together to connect and share about books.
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Chapel Gallery, Objectifs 13 to 15 Mar 2025

Ticket prices (bundle of 3 programmes) Concession ticket (student) – $20 (please note that ID may be verified at the door) General …
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Still invested in rethinking the existing hierarchies of creative labour and the value of work, the second issue of The Precariat Self Help Handbook builds on the lessons learnt a year on from the 1st issue. Reflecting on our experience as both precariats and students, the handbook includes important and slightly more grown up lessons on who and where to go to help, how to navigate sticky situations such as money (don’t we all love talking about money..), the Hostile Environment and includes strategies on self organising.

This issue includes writing and resources from Pin Han Tan (mole.co), Protest Press, Migrants in Culture, Catherine Tang, Laura Gordon, Alissa Metnik, Rebecca Toh, Pixie Tan and Nicole Jesse. It also features beautiful illustrations by Lee Wan Xiang and Lizzie Heath. Comes with a tear-away postcard to share your inner most fears with a friend.

About Pixie Tan

Pixie is an art director and educator from Singapore. She firmly believes in the power of people and collaborations, and designs experiences that capture and share the collective wisdom of those who encounter it.

As an art director, she has created experiences for organisations and initiatives including the Asian Civilisation Museum, Both Sides Now and the National Youth Council. Pixie is a founding volunteer of Don’t Mind If, a ground-up initiative designed with the hopes of uplifting, celebrating and advancing the local communications design industry, community and profession.

She is currently the Designer in Residence at LASALLE College of the Arts’ School of Fashion, where she works with the students from the Diploma in Creative Direction for Fashion.
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Platform, Objectifs 14 Feb 2025, 7.30pm to 9.30pm  Curated by Renee Ng Screening Rating: NC16 (Some Mature Content) *Please note that IDs will be checked at the door. Entry …
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Balancing moments both familiar and unnoticed, Last Order is a celebration of hawker culture and its impact on Singaporean communities locally and beyond. It focuses our gaze on a seemingly ever-present part of daily Singapore – reminding us of what we stand to lose.

About Luke Seow

Luke Seow is a travel, landscape and documentary photographer, currently based in Singapore. With his trusty Fujifilm camera, he loves capturing genuine and authentic stories about people and places. He enjoys using photography’s unique power to tell stories, explore narratives and understand the world around him.
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The ‘Book Bag’ series is the first collaboration between KOVA and 1 and Half Atelier. Originally designed as an exhibition catalogue for the Beijing event “Innernet,” this book/bag enhances its functionality through a wearable structure and “bleed” zippers while effectively conveying information. Additionally, BOxK utilizes printed reproductions of works by three artists (Xiao Longhua, Dali, and Kong Sanpang), echoing the concept of KOVA’s mobile cabinet and bringing art into the audience’s lives in a more fluid and engaging way.

About KOVA

KOVA is a collaborative lab infused with the concept of the “mobile cabinet,” questing to curate dynamic creative expressions through wearable mediums. In partnership with artists from various disciplines, it offers design, curation and production services for collaborations through images, texts, fashion, and exhibitions. KOVA revolves around the current discourses on urban life with humorous design language and circular economy perspectives; it seeks to bridge the gap between audiences and creators by offering more accessible art productions and events.
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