Search Results for: momo film co

Chapel Gallery, Objectifs 13 to 15 Mar 2025

Ticket prices (bundle of 3 programmes) Concession ticket (student) – $20 (please note that ID may be verified at the door) General …
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Still invested in rethinking the existing hierarchies of creative labour and the value of work, the second issue of The Precariat Self Help Handbook builds on the lessons learnt a year on from the 1st issue. Reflecting on our experience as both precariats and students, the handbook includes important and slightly more grown up lessons on who and where to go to help, how to navigate sticky situations such as money (don’t we all love talking about money..), the Hostile Environment and includes strategies on self organising.

This issue includes writing and resources from Pin Han Tan (mole.co), Protest Press, Migrants in Culture, Catherine Tang, Laura Gordon, Alissa Metnik, Rebecca Toh, Pixie Tan and Nicole Jesse. It also features beautiful illustrations by Lee Wan Xiang and Lizzie Heath. Comes with a tear-away postcard to share your inner most fears with a friend.

About Pixie Tan

Pixie is an art director and educator from Singapore. She firmly believes in the power of people and collaborations, and designs experiences that capture and share the collective wisdom of those who encounter it.

As an art director, she has created experiences for organisations and initiatives including the Asian Civilisation Museum, Both Sides Now and the National Youth Council. Pixie is a founding volunteer of Don’t Mind If, a ground-up initiative designed with the hopes of uplifting, celebrating and advancing the local communications design industry, community and profession.

She is currently the Designer in Residence at LASALLE College of the Arts’ School of Fashion, where she works with the students from the Diploma in Creative Direction for Fashion.
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Platform, Objectifs 14 Feb 2025, 7.30pm to 9.30pm  Curated by Renee Ng Screening Rating: NC16 (Some Mature Content) *Please note that IDs will be checked at the door. Entry …
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Balancing moments both familiar and unnoticed, Last Order is a celebration of hawker culture and its impact on Singaporean communities locally and beyond. It focuses our gaze on a seemingly ever-present part of daily Singapore – reminding us of what we stand to lose.

About Luke Seow

Luke Seow is a travel, landscape and documentary photographer, currently based in Singapore. With his trusty Fujifilm camera, he loves capturing genuine and authentic stories about people and places. He enjoys using photography’s unique power to tell stories, explore narratives and understand the world around him.
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Refuse is a handbook that unveils the complex issue of furniture waste in Singapore, through thoughtful resources catered to the different needs of the dumpster diving and crafting community. Refuse aspires to be the 4th R of recycling – where the 4th R means “Refuse to buy, to throw and to do nothing”.

It is a care package jam packed with different ideas. Every image, word, clip-on and instruction in the book is derived from insights gathered while interviewing the dumpster diving and crafting community.
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The Objectifs’ Student Visual Storytelling Awards is back for a second year! Students and media clubs from MOE schools are once again invited to submit their creative and compelling visual …
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Guftgu looks to initiate conversations within practice and context. Emerging out of dialogues with practitioners when our world seemed restrained physically, the works incorporated in this curation expand on the processes behind a growing visual language within South Asia and the South Asian diaspora.

Constructed as a curated collection by Offset Projects, each of the zines included in this edition have been put together keeping in consideration the intent and motivations behind the subject of the work.

About Offset Projects

In 2018, artist Anshika Varma founded Offset Projects in New Delhi, India.

Offset Projects works to create channels of engagement in photography and book-making through artist talks, workshops, residencies, curated reading rooms and collaborative exercises in publishing. We believe that story telling lies at the heart of human creative energy. Our mission is to make a space for collective engagement, meaningful critique and reflective inquiry.

The Offset Bookshop was launched in 2020 in the midst of a global pandemic. It offers a diverse collection of photobooks from the South Asian region (India, Bangladesh, Nepal, Burma, Pakistan and Sri Lanka) from young practitioners to experienced artists, bookmakers and authors.
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In negotiating the complexities of his identity and its relationship to land, migration and gender, artist Soyeohang Rai travels to Nepal, the land of his ancestors, and is confronted by the rigidities of masculinity he is expected to conform to. This defining moment unravels an unanticipated journey to claim his own relationship with the mountainous terrain of the land, gaining strength from the ritualistic performance of maruni ( a dance form practiced by tribes of the Himalayan Belt and Nepali diaspora), opening himself to the feminine within through emotional and physical transformations and empowering the moment in the act of adornment. The maruni emerges and settles within Rai, demanding attention like the red hibiscus of his village and home. The deep colours of the flower remain the most desirable part of the plant, leaving the lush foliage of its bush often forgotten. As is the relationship of the arrival and departure of this flower, so shall the maruni continue to live within him and depart. Only to return again and offer in its warmth inheritance, autonomy and resilience to his being.

“After being impolitely denied to my ancestral land, I felt there was no longer a need to be granted access to a gift that was never taken from me.”

Sisnu Pani is a term often used by Nepalese people to connote to punishing the most miscreant with the stinging nettle (sisnu), an undesirable plant, whipped all over their naked body.

Some images involve nudity.

About Offset Projects

In 2018, artist Anshika Varma founded Offset Projects in New Delhi, India.

Offset Projects works to create channels of engagement in photography and book-making through artist talks, workshops, residencies, curated reading rooms and collaborative exercises in publishing. We believe that story telling lies at the heart of human creative energy. Our mission is to make a space for collective engagement, meaningful critique and reflective inquiry.

The Offset Bookshop was launched in 2020 in the midst of a global pandemic. It offers a diverse collection of photobooks from the South Asian region (India, Bangladesh, Nepal, Burma, Pakistan and Sri Lanka) from young practitioners to experienced artists, bookmakers and authors.
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Searching for Poon traces the journey of my grandmother, who is struggling with memory loss. I use her photographs and juxtapose them with my own, searching and reconstructing her journey from mainland China to Hong Kong.

A sheet of paper is folded into a book, creating the possibility for thousands of associations to be made. The book mirrors my perspective alongside hers, interwoven with motifs that echo on both ends. This nonlinear act of reading becomes an exploration of memory, akin to how one recalls the past. Photography, once a purveyor of objective reality, transforms into an exercise in imagining.

About Justin Hui

Trained in architecture, Justin reconstructs spaces and events from memory, archives, and imagination. These works explore how form shapes our understanding of history, experience, and identity.

Currently, he’s working on Searching for Poon, a project that reconstructs the fading memories of his grandmother. Other projects include documenting histories surrounding a disappeared hill in Hong Kong during the late Song Dynasty, and a self-fiction centered around sightings of unidentified flying objects in Phoenix, Arizona, in 1997.

Past projects include New Territories, which challenges colonial narratives and notions of boundary through the changing landscapes of Northern Hong Kong; Urban Africa, Made in China documents Chinese development across Africa and explores its influence on the continent’s urban future; Black Mountain, Red Earth chronicles the collapse of mining towns and the emergence of the multinational mining industry in the Zambian Copperbelt.

Justin is a registered architect in the State of Massachusetts. He works and lives in New York and Hong Kong.
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In the third issue of Process Magazine entitled “Perspective as Practice”, we explore how borrowing ideas from fields other than our own adds to the creative process. We speak to musician Azfar Bakar, garment designer Cyii Cheng, graphic designer Alisya Fairuz, musician Shelhiel and artist Hoo Fan Chon to understand how adopting ideas from different disciplines influences their practice.

Other contributors include: Shuuhuahua, Gan Siong King, Julia Merican, Karl Nadzarin, Ng Su Ann and Clarissa Lim Kye Lee.

About Process Magazine

Process Magazine is an independent print magazine that explores the creative process of people from the fields of art, architecture, music, business, politics and more.

We feel that it’s important to archive and document the body of work made by creatives around the region. As of 2023, we are now two issues in and we continue to publish stories of distinguished individuals in the creative scene.

Process Magazine is based in sunny Kuala Lumpur, Malaysia.
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