Deadline for nominations: Mon 23 Jun (2359H SGT)
Objectifs is excited to announce the launch of a new award, dedicated to celebrating and supporting the exceptional work of mid-career …
Read More
Fri 16 May 2025, 7.30pm – 10pm Chapel Gallery, Objectifs Free admission (please RSVP here)
Join us for an evening projection of works by photographers and artists across Southeast Asia. …
Read More
Dates & Time Sat 17 May 2025, 12pm – 5pm
Venue Objectifs Workshop Space
Duration 5h over 1 session
Proficiency Level Intermediate
Course Description
This photography masterclass is designed …
Read More
An exhibition by Juliana Tan Curated by Ng Hui Hsien
30 May to 22 Jun 2025 Objectifs Lower Galleries Opening: Fri 30 May 2025, 7pm – 9pm Free admission
A magazine launch by MARG1N Magazine
Fri 2 May 2025, 7.30pm – 9.30pm Annexe, Objectifs Free admission (Please RSVP here)
Join us for the launch of MARG1N Magazine’s second issue: …
Read More
Site Specific is a book that explores the ways photography can be exhibited. Casting a wide net, with 58 exhibitions featured, a range of exhibiting processes and styles are covered.
Co-authored by Matt Dunne and Callum Beaney, the book highlights methods as diverse as using post-it-notes as a medium to collage to traditional framing.
Photographers featured include Trent Parke, Dayanita Singh, Ying Ang, Heikki Kaski, Brett Davis, Rebecca Najdowski/Vivian Cooper Smith, Elle Pérez and many, many more.
This book is a reference book for artists looking to exhibit, it’s an anthology for those wanting to explore exhibiting practice, a visual encyclopedia, image heavy and text light it is a record of some of the most wonderful photography exhibitions that probably didn’t make it to your home town.
Matt Dunne (b. 1989, Melbourne) is an artist whose work explores Australia’s environment as a product of colonial legacy. Using photography and research as a basis, he develops publications, installations and education programs that engage wide-ranging and diverse audiences to deepen their connection to the world around them.
Trained as a teacher, Matt currently works in sustainability while also producing art work and owning/operating Tall Poppy Press – a publishing imprint dedicated to showcasing Australian artists. He has also written about photography widely, reviewing many photobooks and producing critical texts for exhibitions and galleries.
Read More
A shirt produced by Cinemovement, an artist-run platform for creative collaborations in moving-image, new media and performance. Only available in XL size.
Read More
4 Apr to 18 May 2025 Chapel Gallery & Lower Galleries, Objectifs Free admission
The Objectifs Documentary Award champions Objectifs’ mission to broaden perspectives through image making, by supporting original …
Read More
Deadline: Monday 23 June 2025, 2359 SGT
Curator Open Call invites Singapore-based curators to submit proposals for an exhibition to be realised at the Chapel Gallery, Objectifs. This is …
Read More
This book consists of documented installation shots, images, and texts from ‘We will never have earthquakes,’ a series of works that explore discomfort and disruption within the process of change. These works revolve around personal, interpersonal, fictional, and non-fictional stories, presenting a collection of narratives about a headache that wouldn’t go away, a Youtuber’s analysis on the 1942 film Casablanca, a forum user arguing the purpose of the skirting board, various reports of tremors felt in Singapore and more. There is a hope to capture the different facets of change that emerge, unfold, and are realized within these seemingly banal moments and gestures of life.
This book contains seven chapters of works and texts produced by the artist from 2020 to 2024. Each of these seven chapters were presented as installations that were part of various exhibitions in spaces such as Starch, Objectifs, I_S_L_A_N_D_S, Carp Gallery and more.
All covers are deliberately stained with black soy ink.
About Ryan Lim Zi Yi
Ryan Lim Zi Yi pursues an artistic process that is based on collecting moments of encounters and activities that occur within the public and private surroundings. By reconfiguring these moments, newly formed narratives, characters, compositions and situations are reevaluated and formed in his installation. These installations tend to comprise of images, moving images, sculpture and text. These works intend to invite people to meditate on our relationships and attitudes towards the inconspicuous areas of reality.