Group D: 6 Nov to 13 Dec 2025

1. Thu 6 Nov, 7.30pm – 10pm
2. Tues 11 Nov, 7.30pm – 10pm
3. Thu 13 Nov, 7pm – 10pm
4. Thu 20 Nov, 7pm – 10pm
5. Sat 29 Nov, 9am – 5pm (Shoot)
6. Sat 6 Dec, 9am – 5pm (Editing)
7. Sat 13 Dec, 12pm – 2pm (Editing Consultation)

Discover the art of filmmaking in this hands-on Digital Filmmaking Workshop. Perfect for beginners, this course covers the entire production process—from storyboarding and scripting to directing, cinematography, sound, and editing—using industry-standard tools like Sony digital cameras and Adobe Premiere Pro CC.

Participants will collaborate in teams to create original short films, explore genres such as narrative, documentary, and experimental, and gain practical experience through on-location shoots.

The workshop concludes with a screening of participants’ films for friends and family.

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Please note:
This is a very hands-on workshop. Participants’ learning will be most effective if they are able to make all (or most) of the sessions, and will be able to shoot their short films during the period indicated in the schedule above.

As the workshop is repeated several times a year, participants may wish to register for a future round if they already know they may miss several lessons during this period. Make-up lessons and refunds are not offered for sessions missed.

None. Participants will have access to use a prosumer HD camera and audio equipment on loan from Objectifs for their shoots, with free access to our digital lab (subject to availability and selected timeslots) to edit their films on Adobe Premiere Pro CC during the workshop.

Daniel Hui

Daniel Hui is a filmmaker. A graduate of the film program in California Institute of the Arts, he is one of the founding members of 13 Little Pictures, a critically acclaimed independent film collective in Singapore. He has made four feature-length films — Eclipses (Pixel Bunker Award for International New Talent, Doclisboa IFF 2013), Snakeskin (Special Jury Award TFFDoc, Torino FF 2014; Award of Excellence, Yamagata IDFF 2015; Special Jury Mention, RIDM 2015), Demons (In Competition, Kim Jiseok Award, Busan IFF 2018; Berlinale Forum 2019), and Small Hours of the Night (IFFR 2024).

Pok Yue Weng

Pok Yue Weng is the co-founder of production house, The Creative Room. He is an experienced cameraman and cinematographer who has worked on projects in Singapore and Hong Kong. Yue Weng was among the first batch of students to graduate from the Film, Sound, and Video programme in Ngee Ann Polytechnic.

Ric Aw

Ric Aw is an award-winning director and producer who has been making films that reflect on the human condition since 2005. His works often seek to address the themes of justice, transformation, love, and hope.

Ric has directed 11 short films to date, and has won awards for Buy Me Love, Villain, and Silent Girls. He has also received accolades as a producer, with superDONG being selected for Cannes Directors’ Fortnight, and 7 Letters: Pineapple Town selected for Busan International Film Festival. Benjamin’s Last Day at Katong Swimming Complex, which he also produced, won Best Film, George Lucas Award at Short Shorts Tokyo Film Festival.

Ric’s films have screened at prestigious festivals such as the Clermont-Ferrand International Film Festival and Cannes Directors’ Fortnight. He also presented his video art installation “Man of the Forest” at the Yokohama Triennale, Japan.