Image credit: Nhan Tran

Recipient of the 4th Objectifs Documentary Award

Emerging Category

Between the Silent Eyes

Featuring works by Nhan Tran (Vietnam)

Mentored by Hannah Reyes Morales

Since 2019, Vietnamese photographer Nhàn Tran has been documenting the stories of young mothers in the Hmong community in Hà Giang province, Vietnam.

The Hmong are one of the largest indigenous minority groups in Vietnam, and mostly reside in the mountainous regions of North Vietnam. They are also amongst the most impoverished communities in Vietnam, and traditionally lead an agrarian lifestyle, with many families eking out a living by farming the land. Their strongly patriarchal, patrilineal culture often sees women shoulder the bulk of domestic labour and childcare, with little to no say in family decisions.

Despite national laws that state that marriage can only lawfully take place at the age of 18 for women and 20 for men, Hmong girls frequently marry before they reach a legal age, and bear children soon after. Nhàn Tran’s long-term project aims to explore the lives of these young women as they are forced to grow up before their time, navigating their roles as wives, mothers and daughters-in-law, even as they hold on to their dreams and hopes. Many of them aspire to move to larger cities and towns to earn a higher wage, to provide a better life for their families and escape the cycle of poverty.

In addition to images of several young women whom Nhàn Tran has been photographing over the years, this exhibition showcases a deep dive into the life of one of her subjects, Máy. The images illustrate Máy’s resilience and precarity as she deals with the challenges of raising a family at the age of 19. Her situation is shared by numerous young Hmong women, who similarly grapple with the difficulties of balancing traditional practices with modern needs, and their own youthful nature with familial duty.

Above all, the project underlines the importance of hearing from and caring for unrepresented and vulnerable communities, amid a wider movement towards social, economic and gender equality.

About the Artist

Nhàn Tran is a documentary photographer with a focus on long-term projects featuring social issues in Vietnam. She is currently working on several new stories about minority groups, exploring social concerns that relate to Vietnam’s national development. She received the National Geographic Emergency Funding grant (2021) and participated in the Women Photograph Mentorship Programme (2021- 2022), the Foundry Photojournalism Workshop (2021) and VII Masterclass: Project Development: Finding Vision and Voice (2020).

Nhàn Tran’s work can be seen at https://www.nhantran.org/ and @nhaantrann on Instagram.

About the Mentor

Hannah Reyes Morales is a photographer whose work documents tenderness amidst adversity. Her photography, both visceral and intimate, takes a look at how resilience is embodied in daily life.

Through her photography she has reported on forced marriages in Cambodia, and has explored the long term effects of colonisation on women’s bodies in the Philippines. She has photographed the toll of Rodrigo Duterte’s war on drugs, and documented the Filipino Diaspora and the effects of migration on the island nation where she is from. She spent the last two years looking at lullabies and night time rituals in high harm environments across the world.

She contributes work to The New York Times, The Washington Post, and National Geographic Magazine, among others.

The World Economic Forum named her a cultural leader in their ASEAN forum. In 2019 she participated in the World Press Photo’s Joop Swart Masterclass and received the Tim Hetherington Visionary Award. She received the ICP Infinity Award for Documentary Practice and Visual Journalism in 2020.

Hannah is currently working on longer term projects, focused on safer space making and caregiving. She is a 2020 National Geographic Explorer.

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Objectifs Documentary Awards 2023 Recipients

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