Archive – Exhibitions & Screenings

Other Highlights From 2021

Still from Sidelined/Sightlines by Gladys Ng

SIDELINED/SIGHTLINES

NOV 2021-FEB 2022

Objectifs Store

Sidelined/Sightlines by filmmaker Gladys Ng begins with a shot of a plain white wall, and the slow movement from its surroundings — the shadow of leaves, passing traffic outside the building — leaves its mark of existence on it. Like the wall, Objectifs is a canvas (physically and metaphorically) that houses art and its makers. In this site-specific short film, she hopes to have a meditative effect that reminds us to be more conscious of the minute everyday moments, and for fans, friends and newcomers of Objectifs to be charmed by the magic that happens here. 

This work is a site-specific installation at the Objectifs store, as a part of Site Unseen — an adapted studio residency programme by Objectifs that invites artists and image makers to create site-specific image-based works for spaces outside of a conventional gallery. Through this, it proposes new ways of encountering everyday spaces that have been overlooked.

OBJECTIFS FILM CLUB: RED ANINSRI; OR, TIPTOEING ON THE STILL TREMBLING BERLIN WALL

DEC 2021

Online

A discussion about the historical aspects of the film, camp and Cold War aesthetics and the intersection between postcolonialism and the notion of queer filmmaking – Objectifs Film Club presents Red Aninsri; Or, Tiptoeing on the Still Trembling Berlin Wall by Ratchapoom Boonbunchachoke, queer espionage film made in the tradition of Cold-War-era Thai dubbed films. In collaboration with Sarnt Utamachote, from un.thai.tled Film Festival Berlin

© Alessandra Nardin

VISUAL STORIES: STORIES OF A NEIGHBOURHOOD

DEC 2021

Online Exhibition

Explore the visual diaries of residents aged 14 to 70 as they find joy and beauty in daily rhythms, buildings, animals, and people that shape their neighbourhoods. Featuring works by Antonius Cong, Medha Nogaja, Jenny Ho, Alessandra Nardin, Koay Saw Lan & Students of Paya Lebar Methodist Girls’ School – mentored by Deanna Ng and Marc Nair

© De Domingo Christian Ureta

SURVIVING IN THE CONCRETE JUNGLE

OCT 2021

Lower Gallery

Presenting works by Singapore based artists Antonius Cong, Cynthie Renata, Ernest Seah, Gareth Phua, and Grace Angel, with their aspirations and mediums interpreting this worldwide pandemic. This exhibition features relevant social issues, such as work-from-home, interaction within public spaces, changing function of living spaces, dis-course of working space and dynamic shift of emotions. Supported by the NAFA Collaborative Lab.

2nd MIGRANT WORKERS PHOTOGRAPHY FESTIVAL

SEP 2021

Lower Gallery & Courtyard

A biennial festival co-organised by both locals and migrants from many different countries that  showcases the creative talents of migrant workers in Singapore through photography, to amplify perspectives of the migrant community and to bridge the current social divide between the migrant and local community. Indoors, we present shortlisted works by Cruz Jhon Carlo Manayao, de Domingo Christian Ureta, Genelyn Joson, Liberato Esplana Penascosas, Rachelle R Julian, Ruby Velasco ( (Philippines) / George Ronnit, Rajendran Vijaykanth (India) / Khin Cherry Htwe, Nay Zaw Lat, Thu Zar Myint (Myanmar) / Rini Nurhayati (Indonesia). Also presenting also presents the works of Ana Rohana, Aminiyati (Amy) Marthyn, Erma Stefhany, Istriyanti, Natasia, and Ruby Velasco on the theme “Ways of Seeing.”

Press Coverage:
– Rice Media: These migrant worker-shot photographs were inspired by movement and freedom
– Female: Things To Do In Singapore: Migrant Workers Photography Festival Opens & More
– The Straits Times: Arts Picks

Re-THINGING – MATERIALITY IN SCULPTURE AND PHOTOGRAPHIC IMAGE

SEP 2021

Chapel Gallery

Sculpture Society Singapore’s (SSS) 20th Anniversary Show, focuses on artworks that investigates the status of the art object, sculptural materiality, relation of sculpture and photography, or the physicality of photography, etc, within the seemingly ephemeral, digitized world. It will include art forms that are sculptural, 3 dimensional, or is a photographic, video, or digital work that addresses the theme. Also important for SSS is that Objectifs is formerly the Sculpture Square where SSS was founded.

THERE SHE GOES

SEP 2021

Lower Gallery

A visual dialogue between lens-based artists Kerryn ‘Kiki’ Salter and Beatrice Morel, which explores the constant movement and fluidity in female expressions. Beyond showing how photography can help to convey emotions without words, process complex feelings, and deliver a visible sense of relief, the exhibition seeks to subvert the systemic dismissal of female emotions.

WE WERE FARMERS

JUL-AUG 2021

Chapel Gallery

Ore Huiying‘s family have been farmers for generations, from the 1960s till 2020. We Were Farmers is the culmination of her 12-year personal project documenting their experience and resilience, and a commentary on changing agricultural practices and urban development in Singapore, through photography. 

The multimedia exhibition and photobook of the same title both comprise archival photos from family albums, text and video, in addition to Ore’s images, which reflect her position as a participant-observer: both as a documentary photographer, and as a member of the family. We Were Farmers depicts the hopes, dreams and memories that tie Ore and her family together. It is a poignant tribute to not only the family farm, but also where her understanding of community and tradition, and sense of self, come from. Curated by Zhuang Wubin. 

Still from “Shotgun Tuding” by Shireen Seno

OBJECTIFS FILM CLUB: SHIREEN SENO & YOSEP ANGGI NOEN

JUL 2021

Online

Featuring a conversation between filmmakers and mentors for this year’s Objectifs Short Film Incubator — Shireen Seno (Philippines) and Yosep Anggi Noen (Indonesia). They discuss themes of religious beliefs and myths in Ballad of Blood and Two White Buckets by Yosep Anggi Noen and the notion of what a Pancit Western is in Shotgun Tuding by Shireen Seno. They will also converse about what they both wanted to explore when they were working on these films, how they straddled between the short film and feature film formats, and the stories they would like to continue to tell as filmmakers.

10 DAUGHTERS

JUL 2021

Chapel Gallery

“You have to help me do chores because I have no daughter,” says the artist’s mother, the ninth of 10 daughters. An interdisciplinary presentation under O, initiated by artist Jereh Leung, weaving installation, sound, lighting and live performance,10 Daughters is a journey of liberation, care and self-actualisation vis-à-vis the context of domestic space. The presentation temporarily transforms Objectifs’ Chapel Gallery – the site of a former church and an all-girls school — into a vessel holding generations of stories passed down to the artist. Contemplative yet playful, 10 Daughters brings together personal narratives, fiction and impressions from the artist’s memories of growing up in the 80s and 90s. The work invites you to encounter the artist over two days from morning to night; to recollect, repose and revel in a shared space. In collaboration with Alfonse Chiu, Fellow, Liu Yong Huay, Jing Ng and Tay Ining

THE MIGRANT

APR-MAY 2021

Chapel Gallery

The Migrant is a fable-like narrative grounded in facts, told through the character of Mynah and following his journey from his introduction into Singapore as a highly prized songbird, to his ultimate persecution when his voice changed.

Through audio, video, text and photography, visual artist and storyteller Anaïs López explores not only the history of the Javan mynah in Southeast Asia and how it acquired its reputation as a pest with a loud, raucous call, but also depicts the complex relationships between humans and animals, the consequences of rapid urbanisation, and the position of the unwanted outsider. In collaboration with Eefje Blankevoort and Sonny Liew. 

Press Coverage:
ArtsEquator: Cakap-Cakap: Interview with Anaïs López for The Migrant

OBJECTIFS FILM CLUB: THE SHADES OF LOVE

APR 2021

Online

The Shades of Love, a documentary by Singaporean director Jessica Lee, is an intimate journey into the loves, lives and losses of three sex workers in Singapore working in an industry that occupies a legal grey area and often operates underground in this squeaky clean nation. As an ordinary day in this city unfolds, the voices of these women take us into the lived experiences they inhabit, and move us beyond one-dimensional perceptions of sex workers: they are also lovers, daughters, therapists, entrepreneurs, and educators. By shedding light on the humanity, dignity and power of a marginalised and underserved community in Singapore, their stories teach us that love and life come in various shades.

This session will feature Selena, a transgender sex worker and a peer educator with Project X since 2014, Jessica Lee, and film scholar Phoebe Pua in conversation. In collaboration with FreedomFilmFest Singapore

© Dan N. Tran

SHOOTING HOME YOUTH AWARDS CLASS OF 2020 EXHIBITION

MAR 2021

Lower Gallery & Courtyard

Featuring works by the 12 photographers from Objectifs’ young photographers developmental programme. Includes Lim Yi Ann, Pek Yan Lin, Evan Lim, Dan N. Tran, Lisa Peh, Pauline Wong, Watanabe Shiya, Alexandra Chin, Goh Jing Wen, Syahrul Anuar, Cheryl Yip and Gianna Chun. Mentored by Grace Baey, Joseph Nair, Marvin Tang and Nurul Huda Rashid.

Press Coverage:
– The Straits Times: Shooting home
– The New Paper: Young photographers showcase projects on the idea of home

OBJECTIFS FILM CLUB: THE DRAWING ROOM & EPISODES FROM ART ART STUDIO BY LIAO JIEKAI

JAN 2021

Online

The Drawing Room & Episodes from Art Studio is a filmic exploration of the text, characters and narratives from the late Singaporean author Yeng Pway Ngon’s novel Art Studio. The film meditates on the practice of life drawing, and moves from the snug art studio to the wide corridors of the National Gallery Singapore. Chapters of Singapore Modern Art adorn the freshly painted walls of the gallery, and conjure stories of the passing generation portrayed in Yeng’s Art Studio. In conversation with artist Yanyun Chen, filmmaker Liao Jiekai discusses the making of the film and notions of the gaze and layers of ‘looking’ within the film. They will also talk about “resurgence of the figurative” in recent Singapore art history, and the ways in which this is consistent with, and is at odds with, with wider cultural shifts regarding visibility, agency and representation of the body

Scroll to Top